In the '90s, Hollywood picked up on a new trend when they discovered the horror films coming out of Asia. Whether it was the Japanese or Korean horror movies, America started remaking them left and right. However, as the case seems to always be, Hollywood rarely seemed to get the feel and atmosphere right when remaking Asian horror.
Excitement ran high and expectations were even higher — finally, an Asian American blockbuster film with a star-studded Asian cast. Asian American cinema has an obsession with romantic comedy tropes. The visuals, the fashion and color coordination all incorporated refreshing touches of Asian culture into a genre that has long remained Western-centric in American cinema.
The progression of Asian cinema has become globally evident since the 90s and is now a widely acknowledged fact, with a plethora of productions screening in festivals around the world and gaining distribution in a constantly growing number of countries. The following list has been compiled with the purpose of including the foremost distinguished ones from as many directors, countries and genres as possible. Seediq Bale is a 4-hour epic based on historic facts that took the director 15 years to complete, and the most expensive production in the history of Taiwanese cinema.
Celebrate Pride Month with our curated collection of critically-acclaimed romances, dramas, and even campy horror romps that shine a light on the LGBTQ experience in Asia. They sing. They dance.
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Image via Giphy. We're not talking about only 'Ringu', 'Ju-on' or the scariest Thai movies. Image via Drama Fever.
The past few years have even brought a rise in production in the long moribund Cambodian film sector, and the beginnings of a filmmaking community in Laos, which has never had a film industry to speak of. The regionally-oriented film festival has emerged as a crucial factor in this broader resurgence not only of production but of local film cultures—in contexts where, in many instances, State or institutional support for film is lackluster. Another important Asian festival in this regard is the Hong Kong International Film Festival, a large-scale event founded inwhich usually screens more than films in March to April of each year.
These days the entertainment platform is at the top among trending websites. The exposure and availability of the entertainment world for people have now stepped into a broader level. Gone are the days when the only source of entertainment for people was the movie.
By Jeff Yang. Read more opinion articles on CNN. CNN It used to be common for Asian Americans in Hollywood to joke about the "rule of one" -- the unwritten law that historically seemed to limit every ensemble cast to just one Asian actor; all of network TV to just one Asian TV show; every film season to just one Asian movie.
InThe Joy Luck Club hit theaters, presenting a nuanced, never-before-seen look at the lives of Chinese-American women and their immigrant mothers. It was supposed to be a watershed moment for Asian-Americans in Hollywood, one that would harken a slew of Asian-led projects and finally defeat that pesky use of yellowface that had dogged Asians in Western movies for decades. We anxiously awaited the announcement for more Asian-led projects to follow. And waited.